| Mixed & United | |
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Mixed & United is an improv community with more than 100 members, based in Antwerp. |
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Buy tickets online or get them at the door.
| Thursday October 8 | ||
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| 20.00 |
Shows
Tickets Impro jam for all |
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| Friday October 9 | ||
| 15.00–17.00 | Workshop "Acting for Improvisers" by Billy Kissa Info & Tickets | |
| 20.00 |
Shows
Tickets Turbina (Antwerp) Web of Stories (Mechelen) Mixed & United (Antwerp) ?? (??) After party |
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| Saturday October 10 | ||
| 12.30–14.30 | Workshop "The Power" of Play by Mercedes Yearley Info & Tickets | |
| 15.00–17.00 | Workshop clowning by Sven Verelst Info & Tickets | |
| 20.00 |
Shows
Tickets
Seriously Playful (London) DeepFried (Antwerp) Mixed & United (Antwerp) ?? (??) After party |
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| Sunday October 11 | 12.00–15.00 | Workshop "Improv Martial Arts" by Mathias Verraes Info & Tickets |
| 15.30–18.00 | Workshop "Mastering Tragicomedy: Flawed, Funny & Human" comedy by Kym Nelson Info & Tickets | |
| Mixed & United | |
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Mixed & United is an improv community with more than 100 members, based in Antwerp. |
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| DeepFried | |
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Create new worlds while searching for the human stories in chaos. |
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| Seriously Playful | |
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Clowning group from London, led by Marina Sossi. |
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| Turbina | |
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TURBINA creates interactive theatre performances. |
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| Web of Stories | |
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An improv ensemble made up by Kristien, Lieven, Stijn and Johan.
We love to bring improvised theatre with the focus on telling and exploring stories.
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| Billy Kissa | |
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Acting for Improvisers15.00–17.00 Friday October 9 For performers who want to bring more truth, depth, and emotion to their scenes. By using tools from different acting techniques, we will dive into the core elements of acting, including discovering emotional truth, developing layered characters, mastering scene work and we will learn how to bring these skills seamlessly into our improvisations. |
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| Mercedes Yearley | |
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The Power of Play12.30–14.30 Saturday October 10 An experiential workshop exploring drama therapy-inspired techniques, Jungian archetypes and improvisation to deepen your understanding of character, group dynamics and your own performance instincts. Through playful exercises and an improvised group performance, you’ll explore how you naturally respond to others, the roles you gravitate towards, and what happens when you listen, adapt and allow yourself to play without knowing where you're going. |
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| Sven Verelst | |
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Intro to clowning15.00–17.00 Saturday October 10 Sven verelst has been sharing his passion for clowning for many years. Sinds 2009 he has been offering courses where play, creativity and authenticity are central. He combines his experience into a special annual tradition: the summer clowning course. Get to know his unique method in a playfull and accessible way. |
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| Mathias Verraes | |
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Improv Martial Arts12.00–15.00 Sunday October 11 In improv, we are expected to think fast and play intuitively. For good reason, nobody wants to watch you think for 60 seconds on stage before each move. Is the ability to think fast just unchangeable biology? Can you only build intuition through decades of stage time? I believe we can train for it. In Improv Martial Arts, we slow down before we speed up. We train by playing the scenes beat by beat or even line by line. After every move, we analyse how the move impacts the story arc, the character dynamics, or the emotional impact, and decide where to go next. Expect lots of freezes, deliberate replays, and group discussion. At first, this approach feels taking the play out of improv. But you build better intuition faster. And more importantly, you figure out what kind of stories you want to tell as a group." |
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| Kym Nelson | |
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Mastering Tragicomedy: Flawed, Funny & Human15.30–18.00 October 11 What makes us laugh at a character one moment and ache for them the next? Inspired by the gloriously imperfect characters of After Life, Fleabag and This Is Going to Hurt, this playful, practical workshop explores the messy territory where comedy and heartbreak collide. Through character work, improvisation and scene play, we'll explore flaws, contradictions, emotional U-turns and the things characters desperately don't want to say - discovering how the funniest moments often come not from writing jokes, but from truth, tension and very human attempts to hold it all together. |
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